{"id":15887,"date":"2026-03-02T17:07:54","date_gmt":"2026-03-02T14:07:54","guid":{"rendered":"https:\/\/aura-istanbul.com\/?page_id=15887"},"modified":"2026-03-02T17:07:54","modified_gmt":"2026-03-02T14:07:54","slug":"aura-alumni-bilgesu-tuncer","status":"publish","type":"page","link":"https:\/\/aura-istanbul.com\/index.php\/aura-alumni-bilgesu-tuncer\/","title":{"rendered":"AURA Alumni: Bilgesu Tuncer"},"content":{"rendered":"

[vc_section][vc_row][vc_column width=”1\/6″][vc_single_image image=”15859″ img_size=”large” alignment=”center” css=””][vc_empty_space][vc_column_text css=””]Bilgesu Tuncer<\/strong>[\/vc_column_text][vc_empty_space height=”16px”][vc_column_text css=””]Mimarl\u0131k
\nMimar Sinan G\u00fczel Sanatlar \u00dcniversitesi<\/p>\n

\u00a0<\/span><\/p>\n

G\u00fcz 2025
\nDan\u0131\u015fman: H\u00fcseyin Yanar[\/vc_column_text][vc_empty_space][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”2\/3″][vc_empty_space][vc_column_text css=””]<\/p>\n

Sanat ve Mimarl\u0131k: S I N I R L A R<\/strong><\/p>\n

[\/vc_column_text][vc_empty_space][vc_column_text css=””]1- \u201c\u00c7\u00f6k\u00fc\u015f \u0130\u00e7in Tasarlanm\u0131\u015f bir Kasaba\u201d: <\/strong>\u201c\u00c7\u00f6k\u00fc\u015f \u0130\u00e7in Tasarlanm\u0131\u015f bir Kasaba\u201d, \u0130stanbul\u2019a havaliman\u0131ndan giren zombi vir\u00fcs\u00fcn\u00fcn ard\u0131ndan be\u015f y\u0131l i\u00e7inde kentin n\u00fcfus, s\u0131n\u0131f ve altyap\u0131 dinamikleriyle par\u00e7alanmas\u0131n\u0131; \u00e7eperdeki \u015eile\u2019de kurulan \u201cg\u00fcvenli alan\u201d\u0131n ise e\u015fitlik\u00e7i de\u011fil, hiyerar\u015fi ve ayr\u0131cal\u0131k \u00fczerine in\u015fa edilmi\u015f bir mini-\u0130stanbul\u2019a d\u00f6n\u00fc\u015fmesini anlat\u0131r. Kasaban\u0131n mek\u00e2nsal kurgusu (vali tepedeki malik\u00e2nede, y\u00f6netim villalarda, teknik ekip lojmanlarda, alt s\u0131n\u0131flar ve ya\u015fl\u0131lar denetimli yurtta) iktidar\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lar ve yurtta ya\u015fanan bir olay g\u00fcvenlik s\u00f6ylemini \u00e7atlat\u0131p huzursuzlu\u011fu tetikler.
\n<\/span>1- \u2018\u2019A Village Designed to Fail\u2019\u2019: <\/span>\u201cA Village Designed to Fail\u201d is a speculative narrative set five years after a zombie virus enters Istanbul via the airport, tracing how the city fractures through population density, class distribution, and infrastructure continuity, while a \u201csafe zone\u201d in sparsely populated \u015eile becomes a mini-Istanbul built on hierarchy and privilege rather than equality. Its spatial order\u2014governor in a hilltop mansion, aides in villas, technicians in housing blocks, and lower classes\/elderly in a monitored dormitory\u2014makes power legible, and an incident in the dorm exposes the cracks in the security myth and ignites unrest.<\/span><\/em><\/p>\n

2- \u201cDe\u011fi\u015fim\u201d: <\/strong>\u201cDe\u011fi\u015fim\u201d, pembe bir kabu\u011fun benli\u011fi hem koruyup hem de d\u0131\u015far\u0131ya \u201cuygun\u201d bir siluete d\u00f6n\u00fc\u015ft\u00fcrmesini anlat\u0131r. Eklenen nesneler, kimli\u011fin sabit de\u011fil; katman katman kurulan, feminenli\u011fi ve oyunbazl\u0131\u011f\u0131 da ta\u015f\u0131yan bir \u015fey oldu\u011funu g\u00f6sterir.
\n<\/span>2- \u201cChange\u201d: <\/span>\u201cChange\u201d shows a pink shell that both protects the self and reshapes it into an \u201cacceptable\u201d silhouette. The added objects suggest identity isn\u2019t fixed, but layered\u2014holding femininity and playfulness at once.<\/span><\/em><\/p>\n

3- \u2018\u2019Annemin Parf\u00fcm\u00fc\u2019\u2019:<\/strong> <\/span>\u201cAnnemin Parf\u00fcm\u00fc\u201d, annemin i\u015ften eve geli\u015fiyle yay\u0131lan kokunun bende \u201cg\u00fcvenli alan\u201d ve evin canlanmas\u0131 hissini tetikleyen bir i\u015faret olu\u015funu anlat\u0131r. \u00c7al\u0131\u015fma, bu u\u00e7ucu hat\u0131ray\u0131 parf\u00fcm notalar\u0131n\u0131 olu\u015fturan malzemeleri kavanozda g\u00f6r\u00fcn\u00fcr k\u0131larak somut bir haf\u0131za nesnesine d\u00f6n\u00fc\u015ft\u00fcr\u00fcr.
\n<\/span>3- \u2018\u2019My Mother\u2019s Perfume\u2019\u2019: <\/span>\u201cMy Mother\u2019s Perfume\u201d begins with a homecoming memory: the scent that filled the house when my mother returned from work became a signal of safety and a sudden lift in the atmosphere. The work materializes this fleeting trace by displaying the perfume\u2019s notes as tangible elements in a jar, turning \u201cmy mother\u2019s smell\u201d into an object you can keep and look at.<\/span><\/em><\/p>\n

4- \u2018\u2019Kendi En B\u00fcy\u00fck D\u00fc\u015fman\u0131\u2019\u2019: <\/strong>\u201cKendi En B\u00fcy\u00fck D\u00fc\u015fman\u0131\u201d, ahtapot \u00fczerinden zek\u00e2 ile bedensel k\u0131r\u0131lganl\u0131k aras\u0131ndaki gerilimi anlat\u0131r: \u201csekiz beyin\u201d gibi da\u011f\u0131t\u0131k kontrol, hayatta kalmay\u0131 sa\u011flarken ayn\u0131 anda koordinasyon bask\u0131s\u0131n\u0131 b\u00fcy\u00fct\u00fcr. Ahtapotun kendi kafas\u0131n\u0131 delmesi tehdidin i\u00e7eriden y\u00fckseli\u015fini simgeler; parmakla boyama da bu \u00e7at\u0131\u015fmay\u0131 do\u011frudan temas ve beden duygusuyla g\u00fc\u00e7lendirir.
\n<\/span>4- \u2018\u2019 It\u2019s Own Worst Enemy\u2019\u2019: <\/span>\u201cIt\u2019s Own Worst Enemy\u201d uses the octopus to expose the tension between intelligence and bodily vulnerability: its \u201ceight-brain\u201d myth of distributed control implies both advanced survival and intensified coordination strain. The octopus piercing its own head frames the threat as internal, while finger-painting reinforces the theme through direct touch and embodied mark-making.<\/span><\/em><\/p>\n

5- \u201cNysa\u2019n\u0131n Y\u0131k\u0131m\u0131\u201d: <\/strong>\u201cNysa\u2019n\u0131n Y\u0131k\u0131m\u0131\u201d, antik kentin patlama g\u00f6r\u00fcnt\u00fclerini anonim bir kaz\u0131 ba\u015fkan\u0131n\u0131n monolo\u011fuyla yan yana getirerek \u201cde\u011fer verdi\u011fimiz \u015feyler ne kadar kal\u0131c\u0131\u201d ve \u201cfazla ba\u011flanman\u0131n bedeli ne\u201d sorular\u0131n\u0131 a\u00e7ar. Y\u0131k\u0131m, yaln\u0131zca mek\u00e2nsal bir \u00e7\u00f6k\u00fc\u015f de\u011fil; ta\u015flar\u0131 kurtarmaya \u00e7al\u0131\u015f\u0131rken ihmal edilen hayat\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lan, \u00f6nceliklerin yer de\u011fi\u015ftirdi\u011fi bir e\u015fik olarak kurulur.
\n<\/span>5- \u2018\u2019The Demolition of Nysa\u2019\u2019: <\/span>\u201cThe Demolition of Nysa\u201d juxtaposes explosion footage with an anonymous excavation director\u2019s monologue to question how lasting what we value really is\u2014and the cost of clinging too tightly. The destruction becomes not just a physical collapse, but a threshold where priorities shift and the neglected, irreversible life behind the \u201cstones\u201d is brought into focus.<\/span><\/em>[\/vc_column_text][vc_empty_space][vc_gallery interval=”10″ images=”16062,16063,16064,16065,16066″ img_size=”full” css=””][vc_empty_space][\/vc_column][vc_column width=”1\/6″][vc_single_image image=”15888″ img_size=”FULL” alignment=”center” style=”vc_box_border” css=””][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner][vc_column_text][\/vc_column_text][vc_column_text][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”2\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_section][vc_row][vc_column width=”1\/6″][vc_single_image image=”15859″ img_size=”large” alignment=”center” css=””][vc_empty_space][vc_column_text css=””]Bilgesu Tuncer[\/vc_column_text][vc_empty_space height=”16px”][vc_column_text css=””]Mimarl\u0131k Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi \u00a0 G\u00fcz 2025 Dan\u0131\u015fman: H\u00fcseyin Yanar[\/vc_column_text][vc_empty_space][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”2\/3″][vc_empty_space][vc_column_text css=””] Sanat ve Mimarl\u0131k: […]<\/p>\n","protected":false},"author":11,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"AURA Alumni: Bilgesu Tuncer","_seopress_titles_desc":"2025 G\u00fcz Do\u0308nemi\u2019nde \u201cAras\u0327t\u0131rma Tabanl\u0131 Tasar\u0131m Stu\u0308dyosu\u201dnda, kat\u0131l\u0131mc\u0131lar\u0131m\u0131z, H\u00fcseyin Yanar y\u00fcr\u00fct\u00fcc\u00fcl\u00fc\u011f\u00fcndeki st\u00fcdyoda Sanat ve Mimarl\u0131k: SINIRLAR temas\u0131na odakland\u0131.","_seopress_robots_index":"","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"class_list":["post-15887","page","type-page","status-publish","hentry"],"acf":[],"ticketed":false,"_links":{"self":[{"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/pages\/15887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/comments?post=15887"}],"version-history":[{"count":4,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/pages\/15887\/revisions"}],"predecessor-version":[{"id":16067,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/pages\/15887\/revisions\/16067"}],"wp:attachment":[{"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/media?parent=15887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}