{"id":10035,"date":"2022-03-01T13:20:44","date_gmt":"2022-03-01T10:20:44","guid":{"rendered":"https:\/\/aura-istanbul.com\/?p=10035"},"modified":"2022-03-02T16:24:48","modified_gmt":"2022-03-02T13:24:48","slug":"aura-crea-izmir-tarihin-renkleri-sonuc","status":"publish","type":"post","link":"https:\/\/aura-istanbul.com\/index.php\/2022\/03\/01\/aura-crea-izmir-tarihin-renkleri-sonuc\/","title":{"rendered":"AURA Crea \u201c\u0130zmir: Tarihin Renkleri\u201d Sonu\u00e7lar\u0131 Belli Oldu!"},"content":{"rendered":"<p>AURA \u0130stanbul sertifika program\u0131na dahil olan gen\u00e7 mimar ve tasar\u0131mc\u0131lar al\u0131\u015f\u0131k olduklar\u0131 \u00f6l\u00e7ek ve tasarlama s\u00fcre\u00e7lerinin s\u0131n\u0131rlar\u0131n\u0131 a\u015farak; gruplar halinde tasar\u0131mlar\u0131n\u0131 \u00fcreterek <a href=\"https:\/\/www.dyo.com.tr\/\">Dyo<\/a>&#8216;yu yarat\u0131c\u0131l\u0131klar\u0131 ile birle\u015ftirdi.<\/p>\n<p><span style=\"font-weight: 400;\">AURA \u0130stanbul Sertifika Program\u0131 kat\u0131l\u0131mc\u0131lar\u0131, at\u00f6lye \u00e7al\u0131\u015fmas\u0131 ve yar\u0131\u015fma s\u00fcresince boya ve renk kullan\u0131m\u0131 ile \u0130zmir\u2019de kente kimlik kazand\u0131ran mekanlar yaratmak \u00fczere yola \u00e7\u0131k\u0131p, gruplar halinde kamusal alanda uygulanabilecek tasar\u0131mlar \u00fcretti.\u00a0\u00a0<\/span><\/p>\n<p>AURA \u0130stanbul 2021 G\u00fcz D\u00f6nemi Sertifika Program\u0131\u2019nda yer alan 11 mimar, 2 \u015fehir planc\u0131s\u0131 ve 1 sanat\u00e7\u0131dan olu\u015fan 14 ki\u015filik ekip, ikili\/ \u00fc\u00e7l\u00fc e\u015fle\u015fmeler halinde 5 grup olarak yar\u0131\u015fmaya kat\u0131ld\u0131.\u00a0<span style=\"font-weight: 400;\">\u0130zmir Basmane&#8217;de yer alan yar\u0131\u015fma alan\u0131nda,\u00a0<\/span><span style=\"font-weight: 400;\">Agora-Pazaryeri-D\u00f6nerta\u015f Sebili rotas\u0131 5 odak noktaya ayr\u0131ld\u0131 ve her grup kura ile belirlenen alana y\u00f6nelik bir tasar\u0131m \u00e7al\u0131\u015fmas\u0131 olu\u015fturdu.<\/span><\/p>\n<p>24 \u015eubat Per\u015fembe g\u00fcn\u00fc tasar\u0131mc\u0131lar ve\u00a0j\u00fcri \u00fcyelerinin kat\u0131l\u0131m\u0131 ile\u00a0 Zoom platformunda proje sunumlar\u0131 ger\u00e7ekle\u015fti.\u00a0 AURA \u0130stanbul Direkt\u00f6r\u00fc Seda Altan, AURA \u0130stanbul Y\u00f6netim Kurulu \u00dcyesi Sinan \u0130zgi ve DYO Genel M\u00fcd\u00fcr\u00fc\u00a0Mehmet Mutlu Uysal&#8217;\u0131n ger\u00e7ekle\u015ftirdi\u011fi a\u00e7\u0131l\u0131\u015f konu\u015fmas\u0131n\u0131n ard\u0131ndan, proje sunumlar\u0131 ve j\u00fcri yorumlar\u0131 ba\u015flad\u0131.\u00a0AURA \u0130stanbul <a href=\"http:\/\/www.youtube.com\/auraistanbul\">YouTube<\/a> kanal\u0131ndan canl\u0131 olarak da yay\u0131nlanan oturumun ard\u0131ndan, j\u00fcri de\u011ferlendirmesi ile kazanan belirlendi.<\/p>\n<p><strong>J\u00fcri De\u011ferlendirmesi<br \/>\n<\/strong>D\u00fczenlenen at\u00f6lye\/yar\u0131\u015fma format\u0131ndaki <a href=\"https:\/\/aura-istanbul.com\/index.php\/aura-crea\/\">AURA Crea<\/a> etkinli\u011finin j\u00fcri \u00fcyeleri ise:<\/p>\n<p><span style=\"font-weight: 400;\">\u25aa Mine A\u015fc\u0131 (Mimar,\u00a0\u0130zmir SKGA S\u00fcrd\u00fcr\u00fclebilir Kentsel Geli\u015fme A\u011f\u0131 Kurulu \u00dcyesi)<br \/>\n<\/span><span style=\"font-weight: 400;\">\u25aa G\u00fcrol S\u00f6zen (Ressam, Sanat Tarih\u00e7isi)<br \/>\n<\/span><span style=\"font-weight: 400;\">\u25aa Mehmet Mutlu Uysal (<a href=\"https:\/\/www.dyo.com.tr\/\">DYO<\/a>, Genel M\u00fcd\u00fcr)<br \/>\n<\/span><span style=\"font-weight: 400;\">\u25aa Emre Tuncel (<a href=\"https:\/\/www.dyo.com.tr\/\">DYO<\/a>, Pazarlama Direkt\u00f6r\u00fc)<br \/>\n<\/span><span style=\"font-weight: 400;\">\u25aa Evran Kuruta\u00e7 (<a href=\"http:\/\/www.tarkem.com\/\">TARKEM<\/a>, Projeler Y\u00f6neticisi)<br \/>\n<\/span><span style=\"font-weight: 400;\">\u25aa Ahu S\u00f6nmez (<a href=\"http:\/\/www.tarkem.com\/\">TARKEM<\/a>, Mimar)<br \/>\n<\/span><span style=\"font-weight: 400;\">\u25aa Erhan \u0130\u015f\u00f6zen (AURA \u0130stanbul, Y\u00f6netim Kurulu \u00dcyesi)\u00a0<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/W6hpTsJAKAs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Sunumlar\u0131n ard\u0131ndan kapal\u0131 oturum \u00a0olarak ger\u00e7ekle\u015fen j\u00fcri de\u011ferlendirmesi sonucu kazanan projeler belirlendi.\u00a0\u0130zmir\u2019in tarihi Smyrna Agoras\u0131 ile Basmane b\u00f6lgesi \u00fczerinde olu\u015fturulan rotada, belirlenen be\u015f odak noktaya y\u00f6nelik, be\u015f grup halinde tasar\u0131m \u00e7al\u0131\u015fan kat\u0131l\u0131mc\u0131lardan <strong>S\u00fcmeyra Didar Ak\u0131n, Muhammed Eker ve \u00d6zlem Kurtcu<\/strong>\u2019nun projesi olan <strong>KINTSUGI<\/strong> ve <strong>Serra Utkum \u0130kiz, G\u00fclce Hal\u0131c\u0131 ve Dilara U\u00e7ar<\/strong>\u2019\u0131n projesi <strong>Kat\u0131l\u0131m, Tasar\u0131m ve Oyun: Pazaryeri<\/strong> e\u015fde\u011fer birincili\u011fe lay\u0131k g\u00f6r\u00fcld\u00fc.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-10039 \" src=\"https:\/\/aura-istanbul.com\/wp-content\/uploads\/2022\/03\/\u00f6d\u00fcl1-201x300.jpeg\" alt=\"\" width=\"320\" height=\"478\" \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-10040 \" src=\"https:\/\/aura-istanbul.com\/wp-content\/uploads\/2022\/03\/\u00f6d\u00fcl22-201x300.jpeg\" alt=\"\" width=\"321\" height=\"480\" \/><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Hfp1czTacAg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<h3><strong>Projeler:<\/strong><\/h3>\n<p><strong>Kintsugi<br \/>\n<\/strong>S\u00fcmeyra Didar Ak\u0131n, \u00d6zlem Kurtcu, Muhammed Eker<strong><br \/>\n<\/strong><\/p>\n<p><strong>E\u015fde\u011fer Birincilik \u00d6d\u00fcl\u00fc<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-10049 size-full\" src=\"https:\/\/aura-istanbul.com\/wp-content\/uploads\/2022\/03\/Odak-2.jpg\" alt=\"\" width=\"5900\" height=\"4125\" \/><\/p>\n<p>\u201cD\u00fcnya her\u015feyi k\u0131r\u0131yor ve sonra baz\u0131lar\u0131 k\u0131r\u0131k yerlerden daha g\u00fc\u00e7l\u00fc \u00e7\u0131k\u0131yor.\u201d Ernst Hemingway<\/p>\n<p>Kintsugi ; Uzakdo\u011fu felsefesinde kusurlu olan\u0131 kabul etmek, kucaklamak ve bozulandaki g\u00fczelli\u011fi g\u00f6rme anlay\u0131\u015f\u0131ndan temellenen sanatt\u0131r.Kintsugide k\u0131r\u0131lma, bozulma bir yoklu\u011fa gidi\u015f de\u011fil; yeni bir varolu\u015f bi\u00e7imine i\u015faret eden umut dolu bir metafordur. Kintsugi sanat\u0131nda k\u0131r\u0131lm\u0131\u015f porselenler k\u0131r\u0131lan noktalar\u0131ndan alt\u0131n varaklarla doldurularak yaralar\u0131n\u0131 sergiler ve kendini yeniden \u00fcretirler.<br \/>\n\u0130zmir Namazgah B\u00f6lgesi tarihin getirdi\u011fi de\u011fi\u015fim ekseninde s\u00fcrekli kendini yeniden \u00fcretmek zorunda kalm\u0131\u015f; zaman\u0131n tamam\u0131nda g\u00f6\u00e7 sebebiyle sosyo-k\u00fclt\u00fcrel ve sosyo-ekonomik yap\u0131s\u0131 de\u011fi\u015fkenlik g\u00f6stermi\u015f dinamik bir b\u00f6lgedir.<\/p>\n<p>Yar\u0131\u015fma konusu Tar\u0131k Sar\u0131 Sokak ise h\u0131zl\u0131 de\u011fi\u015fimin etkisiyle k\u00f6hnemi\u015f ve yenilenemeyen yap\u0131 sto\u011fu modern ya\u015fant\u0131n\u0131n gerekliliklerine cevap veremez hale gelmi\u015ftir. Yap\u0131lar\u0131n altyap\u0131sal yetersizlikleri, sakinlerini sokak sil\u00fcetinde e\u011freti duran \u201c altyap\u0131sal \u00e7\u00f6z\u00fcmlemeleri\u201d sokak genelinde g\u00f6rmek m\u00fcmk\u00fcnd\u00fcr.<br \/>\nSokak genelindeki k\u00f6hneme ve bozuntu dokusu de\u011ferli g\u00f6r\u00fclm\u00fc\u015f, Kintsugi felsefesiyle b\u00fct\u00fcn\u00fcn bu ayk\u0131r\u0131 bozuntular\u0131 oda\u011f\u0131na alarak k\u0131r\u0131ld\u0131\u011f\u0131 noktalar \u00fczerinden yeniden yorumlanmas\u0131 ve bozuntunun olu\u015fturdu\u011fu a\u011flar\u0131n b\u00fct\u00fcnc\u00fcl bir sokak sa\u011fl\u0131kla\u015ft\u0131r\u0131lmas\u0131na referans olmas\u0131 ama\u00e7lanm\u0131\u015ft\u0131r.<\/p>\n<p>Tasar\u0131m renkle ili\u015fkisini; dokular, haf\u0131za ve ya\u015fanm\u0131\u015fl\u0131klar \u00fczerinden kurmay\u0131 ama\u00e7lam\u0131\u015ft\u0131r. K\u00fclt\u00fcrel, tarihi, dini ve do\u011fal unsurlar\u0131n birbirine ba\u011flayan par\u00e7alar\u0131 olarak renk; par\u00e7alanm\u0131\u015f mekanlar\u0131n ve zaman\u0131n soyutlu\u011funun a\u00e7\u0131k edici bir arac\u0131 olarak dikkate al\u0131nd\u0131. Sembollerin, dillerin, g\u00fcndelik nesnelerin ve do\u011fan\u0131n \u00f6tesinde; g\u00f6rme, hissetme, dokunma, d\u00fc\u015f\u00fcnme, hat\u0131rlama, icat etme, ve yaratma \u015feklimiz renklerle derinden ba\u011flant\u0131l\u0131d\u0131r \u00f6yle ki hayallerimizin, \u015f\u00fcphelerimizin, korkular\u0131m\u0131z\u0131n, umutlar\u0131m\u0131z\u0131n da g\u00f6r\u00fcnmez fakat hayal edilebilir renklere sahiptir. Bu ba\u011flamda, \u00e7al\u0131\u015f\u0131lan b\u00f6lge ve tarihi katmanlar\u0131n\u0131n olu\u015fturdu\u011fu kentin locusu mu\u011flakl\u0131k i\u00e7inde kaybolan alegorilerin okunabilece\u011fi bir yer olarak kabul edildi. Tarih boyunca, frescolar\u0131n, mimarinin, heykellerin g\u00fcnl\u00fck objelerin ve do\u011fan\u0131n sundu\u011fu palete ek olarak psikanalitik veriler ba\u011flam\u0131nda, renk uygulamas\u0131, enstelasyonlar\u0131n portallara evrildi\u011fi ve kentin farkl\u0131la\u015fan bulan\u0131k alanlar\u0131na \u00e7ekmenin ama\u00e7land\u0131\u011f\u0131 farkl\u0131 zamanlar\u0131n ve hayali d\u00fcnyan\u0131n bir kolaj\u0131d\u0131r.<\/p>\n<p><strong>Kat\u0131l\u0131m, Tasar\u0131m ve Oyun: Pazaryeri<br \/>\n<\/strong>Dilara U\u00e7ar, G\u00fclce Hal\u0131c\u0131, Serra Utkum \u0130kiz<strong><br \/>\n<\/strong><\/p>\n<p><strong>E\u015fde\u011fer Birincilik \u00d6d\u00fcl\u00fc<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10050 alignnone\" src=\"https:\/\/aura-istanbul.com\/wp-content\/uploads\/2022\/03\/Odak-3.jpg\" alt=\"\" width=\"5900\" height=\"4131\" \/>\u0130zmir, Konak \u0130l\u00e7esi, Pazaryeri Mahallesi\u2019nde konumlanan Alan 3\u2019te mahalleli kimli\u011fi, kat\u0131l\u0131mc\u0131 tasar\u0131m ve boyan\u0131n ili\u015fkisi kurularak bir tasar\u0131m \u00f6nerisi geli\u015ftirilmi\u015ftir. \u00d6nemli bir tarihsel arka plana sahip alan, \u00fcst \u00f6l\u00e7ekte \u0130zmir Tarih Rotas\u0131\u2019n\u0131n bir par\u00e7as\u0131d\u0131r ve \u00e7evresindeki meydanlarla tan\u0131mlanmaktad\u0131r. Alan\u0131, Pazaryeri Meydan\u0131, Alt\u0131nordu Spor Kul\u00fcb\u00fc sahas\u0131 ve Namazgah Pazaryeri Camii karakterize etmektedir. Tasar\u0131m\u0131n omurgas\u0131n\u0131 ad\u0131 ge\u00e7en b\u00f6lgelerin birbiriyle ve mahalleyle ili\u015fkisi olu\u015fturmaktad\u0131r.<\/p>\n<p>Kat\u0131l\u0131mc\u0131 s\u00fcre\u00e7lerle tasarlanan projede, odaklardaki kar\u015f\u0131la\u015fma ve bulu\u015fmalar g\u00f6zetilerek birlik ve beraberlik ortam\u0131n\u0131n sa\u011flanmas\u0131, bu sayede g\u00fcvenlik ve aidiyet hissinin artt\u0131r\u0131lmas\u0131 ama\u00e7lanmaktad\u0131r. Bu ba\u011flamda mahalle sakinlerinin tasar\u0131m s\u00fcrecine kat\u0131lmas\u0131, mahalleyle kurduklar\u0131 ili\u015fkide \u00f6nemli bir rol oynamaktad\u0131r. Pazaryeri Mahallesi\u2019nin de i\u00e7inde bulundu\u011fu \u201cSakin Mahalle Program\u0131\u201dn\u0131n amac\u0131, toplum kat\u0131l\u0131m\u0131 ile her ya\u015ftan insan i\u00e7in tasarlanm\u0131\u015f, g\u00fcvenli ve eri\u015filebilir mahalleler olu\u015fturmakt\u0131r. Tasar\u0131m \u00f6nerisi de bu ama\u00e7 do\u011frultusunda \u201cKat\u0131l\u0131m, Tasar\u0131m ve Oyun\u201d ba\u015fl\u0131\u011f\u0131yla kurgulanm\u0131\u015ft\u0131r. Tasar\u0131m, fiziksel, sosyal ve kamusal ba\u015fl\u0131klar\u0131 alt\u0131nda \u00f6neriler i\u00e7ermektedir. Fiziksel yakla\u015f\u0131m \u00e7er\u00e7evesinde alandaki t\u00fcm yap\u0131lar\u0131n hasar analizi yap\u0131lm\u0131\u015ft\u0131r. Hasar analizine y\u00f6nelik ger\u00e7ekle\u015ftirilecek onar\u0131mlar i\u00e7in uygulama kartlar\u0131 olu\u015fturulmu\u015ftur. Bu kartlar\u0131n mahallede ya\u015fayanlara da\u011f\u0131t\u0131lmas\u0131; \u00e7al\u0131\u015fmalar\u0131n profesyoneller ve yerel ile yap\u0131lmas\u0131 planlanmaktad\u0131r. Alandaki Tarih Rotas\u0131, yola iz olarak boyanm\u0131\u015f ve proje alan\u0131n\u0131n \u00e7evresiyle de s\u00fcreklili\u011fi sa\u011flanm\u0131\u015ft\u0131r. Rotaya eklemlenen yaya rotas\u0131 ise meydanlar\u0131 b\u00fct\u00fcnle\u015ftirerek alternatif bir g\u00fczergah olu\u015fturmaktad\u0131r. B\u00f6lgedeki sokaklar\u0131n yaya \u00f6ncelikli oldu\u011funu belirtmek ve \u0131s\u0131 adas\u0131 olu\u015fumunun \u00f6nlenmesi i\u00e7in alan a\u00e7\u0131k griye boyanacakt\u0131r. Sakinle\u015ftirici bir y\u00f6n\u00fc olan gri, iyi bir tamamlay\u0131c\u0131 renk olup di\u011fer parlak renkleri \u00f6n plana \u00e7\u0131karmaktad\u0131r. Kamusal yakla\u015f\u0131mdaki odak noktas\u0131, b\u00f6lgedeki bo\u015f alanlar\u0131n meydanlara d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesidir. Esnek tasar\u0131m ile meydanlar farkl\u0131 \u015fekillerde kullan\u0131labilecektir. Mekansal tasar\u0131m\u0131n temel unsuru olan boyama \u00e7al\u0131\u015fmalar\u0131n\u0131n etaplanarak mahalleli ile birlikte tamamlanmas\u0131, proje kapsam\u0131nda bir model \u00f6nerisi olarak tasarlanm\u0131\u015ft\u0131r. Birinci etapta \u0130zmir Tarihi Liman Kenti Alan Ba\u015fkanl\u0131\u011f\u0131 UNESCO binas\u0131n\u0131n \u00f6n\u00fcndeki meydan, k\u00fclt\u00fcrel faaliyetler ve mahallelinin g\u00f6r\u00fc\u015flerini payla\u015fabilece\u011fi bir bulu\u015fma noktas\u0131 olarak tasarlanm\u0131\u015ft\u0131r. Bu ba\u011flamda meydanda at\u0131l bulunan duvar, silinebilir beyaz boya ile boyanarak g\u00fcnd\u00fczleri mahallelinin fikirlerini ve sorunlar\u0131n\u0131 yazabilecekleri, standlar\u0131n kurulabilece\u011fi bir alan, ak\u015famlar\u0131 ise a\u00e7\u0131k hava sinemas\u0131 olarak kullan\u0131labilecektir. Meydandaki zeminin oturma d\u00fczenini ve dola\u015f\u0131m\u0131 destekler bi\u00e7imde boyanmas\u0131 planlanm\u0131\u015ft\u0131r.<\/p>\n<p>\u0130kinci etapta Alt\u0131nordu Spor Kul\u00fcb\u00fc An\u0131 Evinin ve sahas\u0131n\u0131n bulundu\u011fu meydanda \u00e7ocuklar\u0131n kullan\u0131m\u0131na y\u00f6nelik d\u00fczenlenmeler yap\u0131lmas\u0131 \u00f6ng\u00f6r\u00fclm\u00fc\u015ft\u00fcr. Sahan\u0131n kenar\u0131ndaki duvarlar silinebilir olup, \u00e7ocuklar\u0131n \u00f6zg\u00fcrce boyayabilecekleri bir alana d\u00f6n\u00fc\u015fecektir. Zemine \u00e7izilen sokak oyunlar\u0131 ile \u00e7ocuklar mekan\u0131 daha \u00f6zg\u00fcr bir \u015fekilde kullanabileceklerdir. \u00dc\u00e7\u00fcnc\u00fc etapta Pazaryeri Meydan\u0131, belleklerde kalan bir bayram yeri olma \u00f6zelli\u011fi dolay\u0131s\u0131yla mahalleli i\u00e7in bulu\u015fma ve toplanma alan\u0131 olarak tasarlanm\u0131\u015ft\u0131r. Mahallenin sosyo-ekonomik durumu g\u00f6z \u00f6n\u00fcnde bulunduruldu\u011funda farkl\u0131 kurulu\u015flar ile yard\u0131m etkinlikeri burada yap\u0131labilecektir. \u0130zmir B\u00fcy\u00fck\u015fehir Belediyesinin in\u015faat\u0131n\u0131 ba\u015flatt\u0131\u011f\u0131 Pazaryeri Meydan D\u00fczenlemesi\u2019nin ana kararlar\u0131 korunarak kentsel mobilyalar\u0131 k\u0131smi olarak boyama kararlar\u0131 al\u0131nm\u0131\u015ft\u0131r. Meydan ve sokaklar\u0131n d\u00f6n\u00fc\u015f\u00fcm s\u00fcre\u00e7leri esnas\u0131nda ve sonras\u0131nda herkesin e\u015fit olarak kullanabilece\u011fi eri\u015filebilir kamusal mekanlar, Pazaryeri Mahallesi\u2019nde g\u00fcndelik hayat\u0131n kalbi haline gelecektir. Meydanlar\u0131n gece ve g\u00fcnd\u00fcz daha fazla insan bar\u0131nd\u0131raca\u011f\u0131; meydanlarda bayram kutlamalar\u0131, bulu\u015fmalar, ramazan etkinlikleri ve d\u00fc\u011f\u00fcnler yap\u0131laca\u011f\u0131 d\u00fc\u015f\u00fcn\u00fclmektedir.Kad\u0131nlar\u0131n, \u00e7ocuklar\u0131n; her ya\u015ftan ve cinsiyetten insan\u0131n kat\u0131labildi\u011fi mekanlar hem sakinlerinin hem de ziyaret\u00e7ilerinin kullan\u0131m\u0131na y\u00f6nelik olarak tasarlanm\u0131\u015ft\u0131r.<\/p>\n<hr \/>\n<p><strong>\u0130z&#8217;le Ya\u015fam Prati\u011fi<br \/>\n<\/strong>\u00c7a\u011fatay \u00c7omakl\u0131, \u0130rem \u0130ncetuzcu<strong><br \/>\n<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10053\" src=\"https:\/\/aura-istanbul.com\/wp-content\/uploads\/2022\/03\/Odak-1_son.jpg\" alt=\"\" width=\"5900\" height=\"4125\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Smyrna Agoras\u0131 ile ba\u015flayan ve Hatuniye Meydan\u0131 ile \u0130ki \u00c7e\u015fmelik Caddesi\u2019ni birbirine ba\u011flayan hat alan\u0131n en g\u00fc\u00e7l\u00fc tan\u0131\u011f\u0131d\u0131r. Bu hatt\u0131n tan\u0131kl\u0131\u011f\u0131, kentsel bir mekan\u0131n varolo\u015funa, ya\u015fay\u0131\u015f\u0131na ve nas\u0131l yitirilmekte oldu\u011funa dayanmaktad\u0131r. B\u00f6lgede, bir yanda kentsel mekan\u0131n tarihin izlerini g\u00fcn\u00fcm\u00fcze ta\u015f\u0131ma \u00e7abas\u0131 di\u011fer yanda ise yoksullukla ba\u015f etme \u00e7abas\u0131 g\u00f6r\u00fclmektedir. Yoksullu\u011fun kent mekan\u0131ndan ve tarihinden \u00e7alma g\u00fcd\u00fcs\u00fcne d\u00f6n\u00fc\u015fmesi tarihsel izlerin yitirilmesine sebep olmaktad\u0131r.Farkl\u0131 etnik gruplar\u0131 i\u00e7erisinde bulundurmakta olan b\u00f6lgede sosyo-ekonomik yap\u0131n\u0131n zay\u0131fl\u0131\u011f\u0131 g\u00fcndelik ya\u015famda kendisini g\u00f6stermekte ve mekanda g\u00fcvensizli\u011fi beraberinde getirmektedir. Bu ba\u011flamda \u00e7al\u0131\u015fma alan\u0131 olarak belirlenmi\u015f olan , (odak-1) be\u015f odak b\u00f6lgeden olu\u015fan hatt\u0131n Smyrna Agoras\u0131\u2019yla ba\u015flayan giri\u015f k\u0131sm\u0131 b\u00f6lgenin t\u00fcm\u00fcne ili\u015fkin yap\u0131lan analizler sonucunda planlanm\u0131\u015ft\u0131r.<\/p>\n<p>\u00c7al\u0131\u015fman\u0131n amac\u0131 b\u00f6lgenin sosyo-ekonomik yap\u0131s\u0131n\u0131 ve g\u00fcvensizlik gibi problemlerini rehabilite etmek i\u00e7in alan\u0131n tarihsel \u00f6nemini ve mekansal potansiyellerini renkle birlikte \u00f6n plana \u00e7\u0131karmakt\u0131r. Burada ilk ad\u0131m mekan\u0131n ve g\u00fcndelik ya\u015fant\u0131n\u0131n izlerini takip ederek alan\u0131 dinlemek olarak at\u0131lm\u0131\u015ft\u0131r. Kent merkezinde ya\u015fayamayan bir tan\u0131\u011f\u0131 dinlemek\u2026 Alan\u0131n fizikselde k\u0131s\u0131tl\u0131 kalan renkleri ve nitelikleri g\u00fcndelik ya\u015fant\u0131ya yans\u0131yamamaktad\u0131r. Rota \u00fczerinde sokaktaki hakikat pek de i\u00e7 a\u00e7\u0131c\u0131 de\u011fildir. Yap\u0131lardan d\u0131\u015far\u0131 ta\u015fan esnaflar sokaklara renk katmaktad\u0131r fakat sosyal yap\u0131yla entegrasyonlar\u0131 bu denli renkli ve g\u00fc\u00e7l\u00fc de\u011fildir. Farkl\u0131 etnik gruplar\u0131n d\u0131\u015fland\u0131\u011f\u0131 bilinmektedir. Yine yap\u0131lar da renkli renkli giyinseler de i\u00e7lerindeki ortam bu kadar \u015fenlikli de\u011fildir. Tarihsel izleri ve sembolleri \u00fczerinde bulunduran say\u0131l\u0131 kap\u0131lar\u2026 Say\u0131l\u0131lar \u00e7\u00fcnk\u00fc kap\u0131lar bile \u00e7al\u0131nmaktad\u0131r. B\u00f6ylesine nitelikli bir mekan\u0131n g\u00fcndelik ya\u015fant\u0131daki ya\u015fams\u0131zl\u0131\u011f\u0131 kent i\u00e7in b\u00fcy\u00fck bir kay\u0131pt\u0131r. Bu ba\u011flamda kentlinin alana dahil olmas\u0131 ve sosyo-ekonomik ortam\u0131n biraz da olsa d\u00fczeltilmesi ile alan\u0131n da kente dahil olmas\u0131 gerekmektedir. Tam da bu noktada kentten \u00e7al\u0131nan di\u011fer bir kap\u0131 niteli\u011findeki bu b\u00f6lge i\u00e7in Smyrna Agoras\u0131yla ba\u015flayan ilk odak noktas\u0131 \u00e7ok \u00f6nemlidir ve alan\u0131n t\u00fcm\u00fcne ili\u015fkin bir s\u00f6yleme ve davetkar tavra sahip olmal\u0131d\u0131r.<\/p>\n<p>\u00c7al\u0131\u015fmada b\u00f6lgenin fizikselde k\u0131s\u0131tl\u0131 kalm\u0131\u015f olan renkleri kullan\u0131larak kentsel mekan\u0131n yitirmekte oldu\u011fu izleri canland\u0131rmak ama\u00e7lanm\u0131\u015ft\u0131r. Rengin de\u011fi\u015fen mekan organizasyonlar\u0131na olanak tan\u0131mas\u0131 ve kullan\u0131c\u0131yla ileti\u015fime ge\u00e7mesi sa\u011flanm\u0131\u015ft\u0131r. Renklerle rotalar olu\u015fturularak kentli giri\u015f b\u00f6lgesinden kemeralt\u0131na davet edilmektedir ve mekan\u0131n sakinleri i\u00e7in alternatif kullan\u0131m senaryolar\u0131 sunulmaktad\u0131r. Tasar\u0131mda ilk ad\u0131m, yan\u0131ndan ge\u00e7ip gidilen Agora \u00d6renyeri ile niteliksiz kullan\u0131mlara sahip olan Agora Park\u0131 aras\u0131ndaki yolu yayala\u015ft\u0131rmak olmu\u015ftur. Bir di\u011feri de tarihi hamam\u0131n yan\u0131nda bulunan ve insanlar\u0131n etkile\u015fimine olanak tan\u0131mayan bo\u015flu\u011fun bu alanla ba\u011flant\u0131s\u0131n\u0131 sa\u011flamak olmu\u015ftur. Renklerin hakim oldu\u011fu bu odak b\u00f6lge kentliyi E\u015frefpa\u015fa Caddesi\u2019nden zemindeki renkli rotalarla davet etmektedir ve burdan da Hatuniye Meydan\u0131\u2019na giden hatta y\u00f6nlendirmektedir. \u00c7al\u0131\u015fmada kullan\u0131lm\u0131\u015f olan renkler tarih rotas\u0131, esnaf rotas\u0131, iz s\u00fcrme rotas\u0131, etkile\u015fim alan\u0131 ve bisiklet yolunu tan\u0131mlamaktad\u0131r. Renkler, alan\u0131n fizikselde k\u0131s\u0131tl\u0131 kalan renklerinin canl\u0131 tonlar\u0131 olacak \u015fekilde belirlenmi\u015ftir. Tarih rotas\u0131 (turkuaz) kentliyi i\u00e7eriye davet ederek, \u00fczerinde tarihsel izler olan yap\u0131lara, \u00e7e\u015fmelere ve kap\u0131lara y\u00f6nlendirmektedir. Esnaf rotas\u0131 (sar\u0131) ise alan\u0131n sosyo-ekonomik yap\u0131s\u0131n\u0131 da kalk\u0131nd\u0131rmak ad\u0131na esnaflara y\u00f6nlendiren hem de odak b\u00f6lgesinde esnaf ve sokak sat\u0131c\u0131lar\u0131na farkl\u0131 duru\u015f alanlar\u0131 sunan bir rotad\u0131r. Rotalardan bir di\u011feri de iz s\u00fcrme rotas\u0131 (pembe), bu rota hem alandaki sakinler hem de kentten dahil olan insanlar i\u00e7in boyan\u0131n her halinin kullan\u0131ld\u0131\u011f\u0131 sosyal sorumluluk etkinliklerinin ve farkl\u0131 deneyimlerin rotas\u0131d\u0131r. Alan\u0131n kalk\u0131nmas\u0131 i\u00e7in b\u00f6lge i\u00e7inde yap\u0131labilecek boya kutusu, boya f\u0131r\u00e7as\u0131 gibi boyaya dair ne olursa onunla ilgili yap\u0131lan sat\u0131\u015f, sunu\u015f ve enstelasyonlara yer veren rotad\u0131r. Ek olarak rotalar d\u0131\u015f\u0131nda sosyal sorumluluk projeleri ve birliktelik b\u00f6lgelerini belirten etkile\u015fim alanlar\u0131 (turuncu) bulunmaktad\u0131r. Son olarak ye\u015fil ise Agora Park\u0131nda eskiden de varolan bisiklet duraklar\u0131n\u0131n izinde b\u00f6lgeye bir bisiklet yolu \u00f6nermektedir. Odak-1 yani giri\u015f alan\u0131nda yap\u0131lardan \u00e7ok zeminde yap\u0131lan canl\u0131 renk d\u00fczenlemesi i\u00e7erdeki di\u011fer renkli yap\u0131lara davetin bilin\u00e7li ad\u0131m\u0131d\u0131r. Bu alandaki yap\u0131lar agoray\u0131 izleyen ve agora taraf\u0131ndan izlenen karaktere sahiptir ve agoray\u0131 taklit eden, onunla b\u00fct\u00fcnle\u015fmek isteyen renge b\u00fcr\u00fcn\u00fcrler. Agora \u00d6renyerini \u00f6n plana \u00e7\u0131karan bir di\u011fer unsur insanlar\u0131n yaln\u0131zca yan\u0131ndan ge\u00e7ip gitmesine kar\u015f\u0131n onu izlemeleri ve durup incelemeleri i\u00e7in yap\u0131lan korkuluklardaki canl\u0131 renk d\u00fczenlemesidir. Renklerin farkl\u0131l\u0131\u011f\u0131 agoraya ba\u015fka ba\u015fka noktalardan bakt\u0131rmak ve inceletebilmekten do\u011far. Kent mekan\u0131nda ya\u015fayamayan, tarihsel bir tan\u0131k olan b\u00f6lge renkle birlikte ya\u015fama ve g\u00fcndelik ya\u015fant\u0131da s\u00f6z sahibi olma d\u00fc\u015f\u00fcndedir.<\/p>\n<p><strong>Bellek Sil\u00fceti<br \/>\n<\/strong>Beyza Ayaz, Dilan Atasayar, Melih G\u00fcrcan Kutsal<strong><br \/>\n<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10051 alignnone\" src=\"https:\/\/aura-istanbul.com\/wp-content\/uploads\/2022\/03\/Odak-4.jpg\" alt=\"\" width=\"5900\" height=\"4127\" \/><\/p>\n<p>Basmane, \u0130zmir Konak il\u00e7esine ba\u011fl\u0131, i\u00e7erisinde \u00e7ok katmanl\u0131l\u0131\u011f\u0131, tarihi, canl\u0131l\u0131\u011f\u0131 ve hareketi bar\u0131nd\u0131ran bir semttir. \u00c7ok katmanl\u0131l\u0131\u011f\u0131n ve bar\u0131nd\u0131rd\u0131\u011f\u0131 farkl\u0131 milletlerin getirisi olarak mek\u00e2nda ya\u015fanm\u0131\u015f hik\u00e2yelerin, an\u0131lar\u0131n ve olaylar\u0131n \u00e7e\u015fitlili\u011fi de b\u00f6lge sakinlerine paralel olarak fazlad\u0131r. Basmane, bilinen renkli ki\u015fili\u011fine ve g\u00f6z al\u0131c\u0131l\u0131\u011f\u0131na kar\u015f\u0131n bug\u00fcn i\u00e7erisinde bar\u0131nd\u0131rd\u0131\u011f\u0131 h\u00fcz\u00fcn, engeller ve yaln\u0131zl\u0131k gibi kavramlar\u0131n yo\u011funlu\u011funda i\u00e7ine kapan\u0131k ve terk edilmi\u015f bir hale b\u00fcr\u00fcnm\u00fc\u015ft\u00fcr.<\/p>\n<p>Oda\u011f\u0131m\u0131zda 4. b\u00f6lgede bulunan Pazaryeri Mahallesi, 945. Sokak (Osmanzade Yoku\u015fu) \u00fczerinde ya\u015fayan halk\u0131n, renklerin ve yerle\u015fim merkezlerinin zengin hik\u00e2yeleri bu alanda hareketi sa\u011flayan \u00f6nemli etmenlerdir. Bu yoku\u015f, Basmane b\u00f6lgesindeki canl\u0131 hareket merkezlerinden biri oldu\u011fu gibi alt k\u0131sm\u0131nda Tevfik Pa\u015fa Oteli ve D\u00f6nerta\u015f Sebili\u2019nin bulunmas\u0131 yukar\u0131s\u0131nda ise Agora\u2019n\u0131n varl\u0131\u011f\u0131 b\u00f6lgeyi turizm, pazar ve konaklama alanlar\u0131ndan ge\u00e7en y\u00fcksek potansiyelli bir alan oldu\u011funu kan\u0131tlamaktad\u0131r. B\u00f6lge hakk\u0131nda do\u011fru bilgilere ula\u015fabilmek ad\u0131na alan\u0131m\u0131zdaki esnaflarla ve sosyologlarla beraber Basmane\u2019nin aidiyetini anlayabilmek ad\u0131na kent tarih\u00e7isi-g\u00f6zlemcisi, yazar Orhan Be\u015fik\u00e7i ve Tarkem ile ileti\u015fime ge\u00e7tik. \u00c7al\u0131\u015fmam\u0131za alan\u0131m\u0131zda bulunan Osman Pa\u015fa Kona\u011f\u0131\u2019ndan ba\u015flad\u0131k. \u0130zmir\u2019in i\u015fgalinde Gevrek\u00e7i K\u0131z\u2019\u0131n \u00f6yk\u00fcs\u00fcn\u00fc ta\u015f\u0131mas\u0131yla da tan\u0131nan bu konak 945. Sokak hatt\u0131nda tarihi katmanl\u0131l\u0131\u011f\u0131 ve hik\u00e2yeleriyle \u00f6nemli bir yere sahiptir. Hikayeden k\u0131saca bahsetmemiz gerekirse; gevrek satan gen\u00e7 bir k\u0131z, Yunan askerleriyle kar\u015f\u0131la\u015fm\u0131\u015f ve ka\u00e7mak i\u00e7in Osman Pa\u015fa Kona\u011f\u0131\u2019n\u0131n bulundu\u011fu \u00e7\u0131kmaz soka\u011fa girip yard\u0131m istemi\u015ftir. Ancak i\u015fgalcileri g\u00f6ren halk kap\u0131lar\u0131n\u0131 a\u00e7may\u0131nca gevrek\u00e7i k\u0131z orada can vermi\u015ftir. Bu hik\u00e2yenin ac\u0131s\u0131n\u0131 unutmamak ve insanlara hat\u0131rlatmak amac\u0131yla konaktakiler yeni nesillere bu hik\u00e2yeyi anlatmay\u0131 hedeflemi\u015flerdir. 60\u2019l\u0131 y\u0131llarda ise Nebahat Tabak Kona\u011f\u0131 ve Osman Pa\u015fa Kona\u011f\u0131 birbirine ba\u011flanm\u0131\u015f ve buras\u0131 yeti\u015ftirme yurdu olarak kullan\u0131lmaya ba\u015flanm\u0131\u015ft\u0131r. Burada ya\u015fam\u0131\u015f \u00e7ocuklar farkl\u0131 zanaat dallar\u0131na ve mesleklere y\u00f6nlendirilmi\u015flerdir. Sanat \u00fczerine \u00e7al\u0131\u015fmak isteyen \u00f6\u011frenciler ise Osman Pa\u015fa Kona\u011f\u0131\u2019nda e\u011fitim g\u00f6rm\u00fc\u015flerdir. Burada b\u00fcy\u00fcm\u00fc\u015f insanlar hala binay\u0131 ziyaret etmekte ve eski an\u0131lar\u0131n\u0131 dile getirmeye devam etmektedir. G\u00fcn\u00fcm\u00fczde ise bu \u00e7\u0131kmaz sokak \u00fczerine bulunan konaklar terk edilmi\u015f travmalar i\u00e7eren bir an\u0131 mezarl\u0131\u011f\u0131 b\u00fct\u00fcnl\u00fc\u011f\u00fcndedir.<\/p>\n<p>Bug\u00fcn b\u00f6lge i\u00e7erisindeki terk edilmi\u015fli\u011fi kan\u0131tlayan bir di\u011fer durum da b\u00f6lgenin g\u00fcvensiz olarak tan\u0131mlanmas\u0131d\u0131r. Bu g\u00fcvensizlik sadece g\u00fcvensiz binalardan varl\u0131\u011f\u0131ndan dolay\u0131 de\u011fil ayn\u0131 zamanda h\u0131rs\u0131zl\u0131k faaliyetlerinin yo\u011funlu\u011fundan da kaynakl\u0131d\u0131r. B\u00f6lgedeki h\u0131rs\u0131zl\u0131\u011f\u0131n sembol\u00fc ise bu alanda bulunan \u00e7al\u0131nm\u0131\u015f ev kap\u0131lard\u0131r. Bu nedenle bu sokak \u00fczerinde bir\u00e7ok binan\u0131n d\u0131\u015f kap\u0131s\u0131 kendi hik\u00e2yeleriyle beraber tarihe kar\u0131\u015fm\u0131\u015ft\u0131r. Konak Belediyesi taraf\u0131ndan tahliye edilmi\u015f yetimhane b\u00f6lgesindeki \u00e7\u0131kmaz sokak alan\u0131n\u0131 canland\u0131rmak, buradaki halka kar\u015f\u0131la\u015fma alanlar\u0131 olu\u015fturmak ve konaklar\u0131n sakl\u0131 \u00f6yk\u00fclerini b\u00f6lge i\u00e7erisinde bulunan art\u0131k malzemelerden yap\u0131labilecek kent mobilyalar\u0131na ve enstalasyonlar\u0131 olu\u015fturmay\u0131 hedefledik. Tasar\u0131m, kaderine terk edilmi\u015f at\u0131k malzemelerin geri d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesiyle ba\u015flar. At\u0131k malzemeler b\u00f6lge sakinlerine sosyal bir etkinlik alan\u0131 olu\u015fturabilmek amac\u0131yla g\u00f6n\u00fcll\u00fcl\u00fck esasl\u0131 d\u00fczenlenecek olan at\u00f6lyelerde farkl\u0131 \u015fekillerde bir araya getirilerek mek\u00e2n\u0131n belle\u011fini sembolize ederek kent mobilyalar\u0131na d\u00f6n\u00fc\u015ft\u00fcrd\u00fck. Ard\u0131ndan b\u00f6lgenin en simgesel unsurlar\u0131ndan biri olan konaklar\u0131n kap\u0131lar\u0131ndan etkilenerek bir bellek silueti olu\u015fturduk.<\/p>\n<p><strong>Renklerle Bulu\u015fma<br \/>\n<\/strong>Naz \u00dcst\u00fcnda\u011f, Selin S\u00f6nmez\u0131\u015f\u0131k, Zeynep Sena Sancak<strong><br \/>\n<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10052\" src=\"https:\/\/aura-istanbul.com\/wp-content\/uploads\/2022\/03\/Odak-5.jpg\" alt=\"\" width=\"5900\" height=\"4132\" \/><\/p>\n<p>\u00c7al\u0131\u015fma alan\u0131 olarak belirlenen Hatuniye Meydan\u0131, \u0130zmir\u2019in Konak il\u00e7esinin Basmane semtinde bulunmaktad\u0131r. Ek olarak, UNESCO ve TARKEM i\u015fbirli\u011fi ile ba\u015flat\u0131lan \u201c\u0130zmir Tarihi Kent Merkezi\u201d Projesi s\u0131n\u0131rlar\u0131 i\u00e7inde kalmaktad\u0131r. Meydanda bulunan Hatuniye Camii, D\u00f6nerta\u015f Sebili ve tarihi Tevfik Pa\u015fa Kona\u011f\u0131 b\u00f6lgenin tarihi dokusunu olu\u015fturan \u00f6nemli yap\u0131lard\u0131r. Kentte kad\u0131nlar taraf\u0131ndan yapt\u0131r\u0131lm\u0131\u015f iki tarihi camiden biri olan Hatuniye Camii\u2019nin in\u015fas\u0131 17. y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131na dayanmaktad\u0131r. K\u00f6\u015fesindeki s\u00fctunun d\u00f6nmesinden dolay\u0131 D\u00f6nerta\u015f olarak isimlendirilen sebil, 1814 y\u0131l\u0131nda yapt\u0131r\u0131lm\u0131\u015ft\u0131r. Tevfik Pa\u015fa Kona\u011f\u0131 , Basmane B\u00f6lgesinin, en b\u00fcy\u00fck tarihi kona\u011f\u0131d\u0131r ve 20. y\u00fczy\u0131l ba\u015flar\u0131nda otele d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr. Tarihi bir \u00f6neme sahip olan bu b\u00f6lge ge\u00e7mi\u015ften beri g\u00f6\u00e7lerle gelen n\u00fcfusa ev sahipli\u011fi yapmaktad\u0131r. B\u00f6lge bir\u00e7ok k\u00fclt\u00fcre ev sahipli\u011fi yaparken, uzun y\u0131llard\u0131r bu b\u00f6lgede ya\u015fayan T\u00fcrklerin y\u0131llar ge\u00e7tik\u00e7e az\u0131nl\u0131k haline gelmesi sosyal \u00e7evrede gerilim ve yabanc\u0131la\u015fmay\u0131 ortaya \u00e7\u0131karm\u0131\u015ft\u0131r.<\/p>\n<p>B\u00f6lgenin sosyal hayat\u0131n\u0131 inceledi\u011fimizde, kad\u0131nlar g\u00fcndelik hayat\u0131n i\u00e7inde \u00e7ok fazla g\u00f6z\u00fckmezken, meydan \u00e7evresinde kahvehanelerin yer almas\u0131 bu b\u00f6lgenin eril hakimiyetinde bir kamusal alan oldu\u011funu g\u00f6stermektedir. Meydan\u0131n g\u00fcney taraf\u0131nda bulunan Anafartalar caddesi, Konak Meydan\u0131\u2019ndan ba\u015flar Basmane Dokuz Eyl\u00fcl Meydan\u0131\u2019nda sonlan\u0131r. Tarihsel s\u00fcre\u00e7te \u00f6nemli olaylara tan\u0131kl\u0131k etmi\u015ftir. 10 Eyl\u00fcl 1922 tarihinde Mustafa Kemal Pa\u015fa ve arkada\u015flar\u0131n\u0131n \u0130zmir\u2019e girdi\u011fi bu cadde, zaman\u0131nda deve kervanlar\u0131n\u0131n ge\u00e7ti\u011fi ticari bir akst\u0131r. G\u00fcn\u00fcm\u00fczde de ticari i\u015flevini s\u00fcrd\u00fcrmekte olan Anafartalar Caddesi, bu b\u00f6lgede ya\u015fayan farkl\u0131 k\u00fclt\u00fcrlere sahip sakinlerin g\u00fcnl\u00fck ticari kullan\u0131m alan\u0131 haline gelmi\u015ftir. \u00d6b\u00fcr yandan, t\u00fcm alan i\u00e7inde nitelikli kar\u015f\u0131la\u015fma mekanlar\u0131n\u0131n az olmas\u0131 ve g\u00fcnl\u00fck ticari faaliyetlerin Anafartalar Caddesi \u00fczerinde ger\u00e7ekle\u015fmesi Hatuniye Meydan\u0131\u2019n\u0131n bu alan i\u00e7indeki kullan\u0131m \u00f6nemini art\u0131rmaktad\u0131r. Ancak, meydan ve \u00e7evresinin y\u0131llar ge\u00e7tik\u00e7e k\u00f6hnele\u015fmi\u015f dokusu yer-y\u00f6n hissini ve mekan\u0131n alg\u0131lanabilirli\u011fini zay\u0131flatmaktad\u0131r.<\/p>\n<p>Bu \u00e7al\u0131\u015fmada; rengin mekanda d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc ve iyile\u015ftirici \u00f6zelli\u011fi ile kamusal alanlar\u0131n canland\u0131r\u0131lmas\u0131 ve sakinlerin kentsel ya\u015fam kalitesinin art\u0131r\u0131lmas\u0131na y\u00f6nelik bir \u00f6neri sunulmu\u015ftur. Meydana yap\u0131lan zemin boyama \u00f6nerisiyle meydan etraf\u0131ndaki yaya ve trafik ak\u0131\u015f\u0131n\u0131n d\u00fczenlenmesi, meydan ve \u00e7evresinin alg\u0131lanabilirli\u011finin artt\u0131r\u0131lmas\u0131, kad\u0131n ve \u00e7ocuklar\u0131n meydan ve \u00e7evresini kullanmaya te\u015fvik edilmesi, \u00e7ocuklar i\u00e7in nitelikli kamusal alanlar\u0131n yarat\u0131lmas\u0131 ama\u00e7lanm\u0131\u015ft\u0131r. Zemin boyamas\u0131 i\u00e7in, renklerin meydan\u0131n \u00e7evresindeki yap\u0131lar\u0131n renkleriyle uyumlu olmas\u0131 ve renklerin insanlarda uyand\u0131rd\u0131\u011f\u0131 duygular renk se\u00e7iminde dikkate al\u0131nan \u00f6nemli iki kriterdir. Meydana yap\u0131lan zemin boyamas\u0131 ile meydan\u0131n bile\u015fenleri i\u015flevsel hale gelmi\u015f ve meydana yeni i\u015flevler eklenmi\u015ftir. Meydan yeti\u015fkinler i\u00e7in bir kar\u015f\u0131la\u015fma mekan\u0131, \u00e7ocuklar i\u00e7in oyun alan\u0131, sat\u0131c\u0131lar i\u00e7in tezgahlar\u0131n\u0131 kurduklar\u0131 ve dini tesise de hizmet eden bir yerdir. Yer boyamas\u0131 ve renklerle bu i\u015flevlerin mekanda alg\u0131lanabilirli\u011fi artt\u0131r\u0131lm\u0131\u015ft\u0131r. Meydan\u0131n bile\u015fenlerinden biri olan akslar kar\u015f\u0131la\u015fma ve bir araya gelme mekan\u0131 olan meydan\u0131 kullanmaya davet eden sar\u0131 yer boyamalar\u0131ndan olu\u015fmaktad\u0131r. Kullan\u0131c\u0131y\u0131 meydana, meydan\u0131n giri\u015f-\u00e7\u0131k\u0131\u015f noktalar\u0131na y\u00f6nlendiricili\u011fi sayesinde kullan\u0131c\u0131 da yer-y\u00f6n duygusunu artt\u0131r\u0131r. Meydana y\u00f6nlendiren akslar\u0131n tam ortas\u0131nda bulunan enstelasyon insanlarda merak uyand\u0131rarak meydan\u0131 kullanmaya davet eder niteliktedir. Meydan\u0131n her y\u00f6n\u00fcnden alg\u0131lanan soyut insan sil\u00fceti olan enstelasyon; meydan\u0131n bir araya gelme, tan\u0131\u015fma ve sosyal uyumun merkezi oldu\u011funu vurgulamaktad\u0131r. T\u00fcm alan i\u00e7inde \u00e7ocuklar\u0131 bir araya getirecek nitelikli bir alan bulunmamaktad\u0131r. Bu nedenle meydan ve 1300. Sokak\u2019ta belirlenen alan, renklerle oyun alan\u0131 haline getirilmi\u015f. \u00c7ocuklara ayr\u0131lan bu oyun alan\u0131n\u0131n anne ve \u00e7ocuklar i\u00e7in bir kar\u015f\u0131la\u015fma ve sosyalle\u015fme mekan\u0131 olmas\u0131 \u00f6ng\u00f6r\u00fclmektedir. Bunlara ek olarak, D\u00f6nerta\u015f Sebili\u2019nin g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn\u00fc artt\u0131rmak ve tarihi de\u011ferine vurgu yapmak i\u00e7in d\u00f6nerta\u015f \u00fcst\u00fcne ikinci y\u00fczey olarak belirlenen kuma\u015f\u0131n \u201c\u0130zmir\u2019in K\u0131rm\u0131z\u0131s\u0131\u201d ile renklendirilmesi \u00f6nerilmektedir. Mekan\u0131n tarihi kimli\u011finin alg\u0131lanabilirli\u011fini artt\u0131rmak ad\u0131na tescilli yap\u0131lar\u0131n \u00f6zg\u00fcn renklerinde boyanmas\u0131 \u00f6nerilmektedir.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong><em>T\u00fcm kat\u0131l\u0131mc\u0131lar\u0131m\u0131z\u0131 tebrik ederiz!<\/em><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AURA \u0130stanbul sertifika program\u0131na dahil olan gen\u00e7 mimar ve tasar\u0131mc\u0131lar al\u0131\u015f\u0131k olduklar\u0131 \u00f6l\u00e7ek ve tasarlama s\u00fcre\u00e7lerinin s\u0131n\u0131rlar\u0131n\u0131 a\u015farak; gruplar halinde tasar\u0131mlar\u0131n\u0131 \u00fcreterek Dyo&#8216;yu yarat\u0131c\u0131l\u0131klar\u0131 ile birle\u015ftirdi. AURA \u0130stanbul Sertifika Program\u0131 [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":10044,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"AURA Crea &quot;\u0130zmir: Tarihin Renkleri&quot; Sonu\u00e7lar\u0131 Belli Oldu! | %%sitetitle%%","_seopress_titles_desc":"Dyo Boya i\u015f birli\u011fiyle ger\u00e7ekle\u015fen AURA Crea yar\u0131\u015fmas\u0131n\u0131n kazananlar\u0131 belli oldu.\u00a0AURA \u0130stanbul Sertifika Program\u0131 kat\u0131l\u0131mc\u0131lar\u0131, \u0130zmir Agora ve Basmane b\u00f6lgesinde Dyo renklerini yarat\u0131c\u0131l\u0131klar\u0131 ile birle\u015ftirdi.","_seopress_robots_index":"","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[204,191,75,128],"tags":[268,404,304,407,408,107,405,403],"class_list":["post-10035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aura-crea","category-blog","category-etkinlik","category-sertifika-programi","tag-aura-crea","tag-design","tag-juri","tag-odul","tag-proje-sunumlari","tag-tasarim","tag-tasarim-yarismasi","tag-workshop"],"acf":[],"_links":{"self":[{"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/posts\/10035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/comments?post=10035"}],"version-history":[{"count":10,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/posts\/10035\/revisions"}],"predecessor-version":[{"id":10062,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/posts\/10035\/revisions\/10062"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/media\/10044"}],"wp:attachment":[{"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/media?parent=10035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/categories?post=10035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/tags?post=10035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}