Kent, tarihi katmanlar\u0131 aras\u0131na t\u00fcketilebilen i\u00e7eriklerin yap\u0131\u015ft\u0131r\u0131ld\u0131\u011f\u0131 bir mek\u00e2na d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. Mek\u00e2na insan taraf\u0131ndan atfedilen de\u011fer, mek\u00e2n\u0131n kendisini yeniden tan\u0131mlatt\u0131rmas\u0131yla sonu\u00e7lan\u0131r.<\/p>\n\n\n\n
\u0130stanbul, mek\u00e2nsal katmanlar\u0131n \u00e7ak\u0131\u015ft\u0131\u011f\u0131 fakat zaman ile farkl\u0131 de\u011ferlerin eklemlenmesi ile s\u00fcrekli olarak yeniden tan\u0131mlad\u0131\u011f\u0131m\u0131z bir kent. Bu ba\u011flamda, g\u00fcndelik deneyimlerimizde alg\u0131lad\u0131klar\u0131m\u0131z\u0131n ge\u00e7icili\u011fi yer tutar.Duvarlar, mek\u00e2na dair alg\u0131n\u0131n olu\u015fturabilece\u011fi y\u00fczeylerdir.<\/p>\n\n\n\n
K\u00fc\u00e7\u00fck Ayasofya\u2019da sokaklar yaln\u0131zca duvarlar\u0131 tutan i\u015flevsiz y\u00fczeyler olarak davran\u0131rlar ki bu y\u00fczeylerde bile canl\u0131lar\u0131n bir kullan\u0131m alan\u0131na duyulan gereksiniminin izlerini g\u00f6rmek m\u00fcmk\u00fcnd\u00fcr. Bu bir potansiyele i\u015faret eder.<\/p>\n\n\n\n
Yap\u0131lar\u0131n sarma\u015f\u0131klar\u0131n hakimiyetinde olmas\u0131, sanat icra edilmek i\u00e7in kullan\u0131m\u0131 bu potansiyelin \u00f6rneklerindendir.Zaman, akt\u00f6rler ve ara\u00e7lar, kentteki tarihi katman ile \u00e7al\u0131\u015farak ihtiya\u00e7lar\u0131 olan i\u015flevleri yeniden \u00fcretti\u011fi mekanlara gereksinim duyar. Aray\u00fcz, \u00e2t\u0131l kalan duvarlar i\u00e7in kamusall\u0131\u011f\u0131 farkl\u0131 alternatiflerle sunabilecek bir ara\u00e7t\u0131r.<\/p>\n\n\n\n
Kentin katmanlar\u0131 ile eklemlenme de ba\u015far\u0131s\u0131z y\u00fczeyler kaynak olarak ele al\u0131nd\u0131\u011f\u0131nda s\u0131k\u0131\u015f\u0131k kent dokusu i\u00e7erisinde kamusall\u0131\u011fa ge\u00e7ici bi\u00e7imlerde imk\u00e2n tan\u0131nabilir.<\/p>\n\n\n\n
Duvar g\u00f6revi g\u00f6rmenin alt ba\u015fl\u0131klar\u0131 kategorize edilmi\u015ftir. Tarih, kullan\u0131m ve ge\u00e7icilik ile ili\u015fkisindeki uyumsuzluk, mod\u00fcllerden olu\u015fan adaptif bir sistem ile d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015ft\u00fcr. Potansiyel bar\u0131nd\u0131ran y\u00fczeylerin envanter listesi \u00e7\u0131kar\u0131lm\u0131\u015ft\u0131r. Trapezler, sanat \u00f6\u011feleri ve g\u00fcnl\u00fck pratikler gibi unsurlar\u0131 bar\u0131nd\u0131ran y\u00fczeyler de\u011fi\u015fken bir str\u00fckt\u00fcr \u00fcretiminde kaynak olarak ele al\u0131nm\u0131\u015ft\u0131r. Bu str\u00fckt\u00fcrler, alandaki malzemelerin geri d\u00f6n\u00fc\u015f\u00fcm\u00fc ile elde edilecektir. Alandan toplanan g\u00f6rsellerden belirlenen renkler sistemde yerini alacakt\u0131r. \u00d6nceden deneyimlenmi\u015f alana dair alg\u0131 de\u011fi\u015fmeyecek bir iyile\u015ftirme kazanacakt\u0131r.<\/p>\n\n\n\n
Yama<\/strong><\/p>\n\n\n\nBatuhan Bilir, Dila Kara\u015f, Eyl\u00fcl Din\u00e7, \u00d6zge \u00d6zger\u00e7ek<\/p>\n\n\n\n
J\u00fcri \u00d6zel \u00d6d\u00fcl\u00fc<\/strong><\/em><\/p>\n\n\n\nCundi Park\u0131, K\u00fc\u00e7\u00fck Ayasofya semtinde, Kad\u0131rga semtinin, \u00c7atlad\u0131kap\u0131 sahil hatt\u0131n\u0131n ve K\u00fc\u00e7\u00fck Ayasofya Camisi’nin d\u00fc\u011f\u00fcm noktas\u0131nda konumlanmaktad\u0131r. Park, Osmanl\u0131 d\u00f6neminde cirit, Cumhuriyet d\u00f6neminde futbol oynanmas\u0131yla tarih boyunca oyun eylemine tan\u0131k olmu\u015f, mahalleliye bulu\u015fma alan\u0131 sa\u011flayan bir meydan olarak \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. G\u00fcn\u00fcm\u00fczde ise \u00e7eperlerinin y\u00fcksek korkuluklarla \u00e7evrili halde olmas\u0131 ve park i\u00e7inde var olan net hatlar\u0131 sebebiyle kullan\u0131m\u0131 k\u0131s\u0131tlanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n
Yama projesi, alan\u0131n tarihsel belle\u011fini irdeleyip, eylemlerin zemin izlerini s\u00fcrerek hem oyun k\u00fclt\u00fcr\u00fcn\u00fc g\u00fcn\u00fcm\u00fcz insan\u0131n\u0131n g\u00fcndelik prati\u011fi i\u00e7erisine entegre edebilmeyi, \u00e7e\u015fitli kullan\u0131m olanaklar\u0131 sa\u011flayan, kar\u015f\u0131la\u015fma-kayna\u015fma alan\u0131 yaratabilen bir meydan olarak i\u015fleyebilmesi hedeflemektedir. Bu sayede proje, farkl\u0131 zaman dilimlerinden referans alarak semtin katmanla\u015fm\u0131\u015f dinamiklerini, izlerini g\u00fcn\u00fcm\u00fczde \u00e7ak\u0131\u015ft\u0131r\u0131r ve bir yama gibi alan\u0131 dokuyarak bu dinamikleri semt ak\u0131\u015f\u0131na yeniden katar.<\/p>\n\n\n\n
Tasar\u0131m, meydan\u0131n kullan\u0131m\u0131na g\u00f6re d\u00f6n\u00fc\u015febilen esnek ve mod\u00fcler alanlar sa\u011flayarak \u00e7e\u015fitli ihtiya\u00e7lara yan\u0131t vermektedir. Zemindeki yamalar \u201coyun, etkile\u015fim ve toplanma\u201d ana i\u015flevlerine g\u00f6re tasarlanm\u0131\u015f; bu i\u015flevlerin zemin anlat\u0131lar\u0131 ise yak\u0131n \u00e7evredeki yap\u0131lar\u0131n incelenmesi ile elde edilen d\u00f6rt vurgulay\u0131c\u0131 renkle ve ak\u0131\u015f\u0131 sa\u011flayacak yard\u0131mc\u0131 renklerin belirlenmesiyle olu\u015fturulmu\u015ftur. Zemindeki anlat\u0131lar alan\u0131n yak\u0131n \u00e7evresinde de takip edilebilir \u015fekilde s\u0131zm\u0131\u015ft\u0131r.<\/p>\n\n\n\n
Zemine dokunan bu \u00f6\u011felerin meydan\u0131n kullan\u0131m\u0131na g\u00f6re d\u00f6n\u00fc\u015febilen alanlara olanak sa\u011flamas\u0131, bireyin duraklama, d\u00fc\u015f\u00fcnme, dinlenme, ileti\u015fim kurma, payla\u015fma, oynama, tarihi bir \u00e7evrenin ve K\u00fc\u00e7\u00fck Ayasofya semtinin bir par\u00e7as\u0131 olma gibi \u00e7e\u015fitli eylemler, s\u0131n\u0131r\/s\u0131z zeminlerde tasarlanm\u0131\u015ft\u0131r. Yama\u2019n\u0131n deneyimlenmesi ile kent haf\u0131zas\u0131ndaki sakl\u0131 izlerin ortaya \u00e7\u0131kmas\u0131 hedeflenmi\u015ftir.<\/p>\n\n\n\n
Quadrata<\/strong><\/p>\n\n\n\nAylin Y\u0131ld\u0131r\u0131m, Ece \u00d6zkan, Merve Nur Y\u0131lmaz, Rengin Emine Do\u011fan<\/p>\n\n\n\nAt\u00f6lye s\u00fcresince, Tarihi yar\u0131m adan\u0131n mimari kimli\u011finden ve kent dokusundan yola \u00e7\u0131k\u0131larak, DYO boya \u00fcr\u00fcnleri ve renk kullan\u0131m\u0131 ile uygulanabilecek tasar\u0131mlar \u00fcretildi.<\/p>\n\n\n\n
MS 203 y\u0131l\u0131nda in\u015fa edilen Hipodromdan g\u00fcn\u00fcm\u00fcze yar\u0131m daire formunda Sphendone ve 3 adet dikili ta\u015f kalm\u0131\u015ft\u0131r. G\u00fcn\u00fcm\u00fczde Sphendone duvar\u0131 hasar alm\u0131\u015f, \u00e7evresinde otopark\u0131n, \u00e7ay bah\u00e7esinin yapt\u0131\u011f\u0131 istila ile birlikte d\u00fczensiz bir hal alm\u0131\u015ft\u0131r. Sphendone \u00e7evresindeki kullan\u0131c\u0131 deneyimleri aksamaktad\u0131r.<\/p>\n\n\n\n
Sphendone\u2019nin etraf\u0131n\u0131n bak\u0131ms\u0131z ve at\u0131l olmas\u0131 tarihi yap\u0131lara olan de\u011ferin eksikli\u011fini bize g\u00f6stermektedir. Bu d\u00fc\u015f\u00fcnceden yola \u00e7\u0131karak, bu proje Sphendone k\u0131sm\u0131n\u0131n at\u0131ll\u0131\u011f\u0131n\u0131n sona ermesini hedeflemektedir. Sultan Ahmet Meydan\u0131 y\u00f6n\u00fcnden Kad\u0131rga y\u00f6n\u00fcne do\u011fru giden turistik yol aks\u0131nda bulunan \u00c7ardakl\u0131 Hamam\u0131 ve Hasana\u011fa Camii Spendone etraf\u0131nda yer almaktad\u0131r. Bu turistik yol aks\u0131ndan referansla, Sultan Ahmet Meydan\u0131\u2019n\u0131n yo\u011fun insan sirk\u00fclasyonunu Sphendone\u2019da olu\u015fturulan alt kot meydan olarak ifade etti\u011fimiz alana aktararak Hipodromun etraf\u0131n\u0131 da deneyimlenebilece\u011fi proje tasar\u0131m\u0131 geli\u015ftirilmektedir. Sphendone etraf\u0131n\u0131 deneyimleme s\u0131ras\u0131nda meydan kotundan ba\u015flay\u0131p teraslamayla zemin kot d\u00fczenlemesi yap\u0131larak kullan\u0131c\u0131n\u0131n y\u00fcr\u00fcy\u00fc\u015f zorlu\u011fu en aza indirmeyi hedeflendi. Alt kot meydan g\u00f6rece Sultan Ahmet Meydan\u0131\u2019na g\u00f6re daha sakin ve \u00e7e\u015fitli oturma, dinlenme olanaklar\u0131n\u0131 sunan kent mobilyalar\u0131n\u0131 i\u00e7eren \u00fc\u00e7 k\u00fc\u00e7\u00fck meydanc\u0131k olarak tasarlanm\u0131\u015ft\u0131r. Bu meydanc\u0131klara bakan Sphendone kemerini niteleyen metal malzemeli kemerler, sokaklardan gelen kullan\u0131c\u0131lar i\u00e7in kemer formuna referans vermesi amac\u0131yla sokak lambas\u0131 tasarlanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n
Sphendone \u00e7evresi i\u00e7in \u00f6nerilen meydanla\u015fma fikri ile kullan\u0131c\u0131ya Sultan Ahmet meydan\u0131ndan alt koda kadar kesintisiz bir Sphendone deneyimi sunmaktad\u0131r. Sphendone \u00e7evresini yeniden tasarlayarak tarihi de\u011ferinin kullan\u0131c\u0131lara tekrardan \u00f6ne \u00e7\u0131karmay\u0131 hedeflerken kentsel mobilyalar ve ye\u015fil kurgu, zemin katland\u0131rmalar\u0131 ile beraber bu fikri destekleyen kentsel tasar\u0131m \u00f6nerisi kurgulanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n
K\u0131rkyama<\/strong><\/p>\n\n\n\nAy\u015feg\u00fcl Kaya, Ay\u015feg\u00fcl Y\u00fcksel, Ekin Selen Yalmanl\u0131, Saime Beyza \u00c7ift\u00e7i<\/p>\n\n\n\nK\u00fc\u00e7\u00fck Ayasofya Mahallesi\u2019nde yap\u0131lan saha gezisi ve ara\u015ft\u0131rmalar sonucunda, b\u00f6lgede farkl\u0131 d\u00f6nemlere ait bir\u00e7ok mimari \u00fcslup, malzeme ve doku oldu\u011fu \u00e7\u0131kar\u0131m\u0131 yap\u0131lm\u0131\u015ft\u0131r. B\u00f6lgede hem k\u00fclt\u00fcrel hem mimari hem de toplumsal eklemlenme oldu\u011fu g\u00f6zlemlenebilir. Bu farkl\u0131 \u00f6\u011feler birbirine eklemlenerek \u00e7e\u015fitlilik ve karma\u015f\u0131kl\u0131k i\u00e7inde bir b\u00fct\u00fcn olu\u015fturmu\u015f ve g\u00fcn\u00fcm\u00fczdeki K\u00fc\u00e7\u00fck Ayasofya meydana gelmi\u015ftir.<\/p>\n\n\n\n
\u00c7al\u0131\u015fma alan\u0131m\u0131z olan Sphendone ve \u00e7evresi zaman i\u00e7inde planl\u0131 veya spontane \u015fekilde eklemlenen unsurlar\u0131n belirgin izlerini ta\u015f\u0131r. Bu eklerin bir araya gelmesiyle b\u00f6lge kendine \u00f6zg\u00fc bir dokuya sahip olmu\u015f ve ge\u00e7mi\u015fin izlerini g\u00fcn\u00fcm\u00fcze ta\u015f\u0131m\u0131\u015ft\u0131r. T\u00fcm bu \u00e7\u0131kar\u0131mlar sonucunda, b\u00f6lgenin kendisi bir \u2018k\u0131rkyama\u2019 olarak ele al\u0131nabilir.<\/p>\n\n\n\n
\u00c7al\u0131\u015fma alan\u0131 olarak Hipodrom\u2019un Sphendone kal\u0131nt\u0131s\u0131 ve \u00e7evresini se\u00e7ilmi\u015ftir. Bu alan\u0131n se\u00e7iminde, Sphendone\u2019nin g\u00fcn\u00fcm\u00fczde hak etti\u011fi gibi korunmayarak geri planda kalm\u0131\u015f olmas\u0131n\u0131n etkisi b\u00fcy\u00fckt\u00fcr. \u00c7al\u0131\u015f\u0131lan b\u00f6lgedeki mevcut durumda \u00f6zel m\u00fclk olan bir kafe, haftada bir g\u00fcn pazar, geri kalan g\u00fcnlerde otopark olarak kullan\u0131lan bir alan, muhtarl\u0131k ve \u00e7ocuk park\u0131 bulunan alan i\u00e7in yap\u0131lan analizler do\u011frultusunda, \u00e7ok katmanl\u0131 mimari ve k\u00fclt\u00fcrel kimli\u011fin \u00e7evresiyle ve toplumla aras\u0131ndaki kopuk ili\u015fkinin fark\u0131nda olarak, baz\u0131 eski i\u015flevlerin korunup baz\u0131 yeni i\u015flevlerin eklendi\u011fi bir tasar\u0131m yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n
Tasar\u0131m alan\u0131 e\u011fimli bir y\u00fczeyde bulunmaktad\u0131r ve bu durum manzara potansiyelini olu\u015fturmaktad\u0131r. Tren ve \u00e7evreyolu ile s\u0131n\u0131rl\u0131 alan\u0131n, deniz ve ye\u015fil alana eri\u015fim sorunu g\u00f6z \u00f6n\u00fcnde bulundurularak, bu alanda yeni bir kamusal alan kurgusu olu\u015fturmak hedeflenmi\u015ftir. Seyir teras\u0131 ile de hem bu kurgu g\u00f6r\u00fcn\u00fcr k\u0131l\u0131nmak istenmi\u015f hem de denizle olan etkile\u015fimin k\u0131smen art\u0131r\u0131lmas\u0131 ama\u00e7lanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n
S\u0131n\u0131r A\u015fan: Ba\u011flant\u0131<\/strong><\/p>\n\n\n\nDidenaz G\u00fcndo\u011fdu, Selin \u00dcnl\u00fc, Zeynep \u0130pek G\u00fcnay<\/p>\n\n\n\nK\u00fc\u00e7\u00fck Ayasofya Mahallesi zaman\u0131n birikiminin \u00fcst \u00fcste bir katmanla\u015fma ile de\u011fil, yan yana katmanlarla alg\u0131land\u0131\u011f\u0131 bir aland\u0131r. Bir soka\u011fa boylu boyunca e\u015flik eden Roma hipodrom duvar\u0131 ve bir k\u00f6\u015fe ba\u015f\u0131nda rastlanabilen Bizans Saray\u0131 Bukoleon\u2019un kal\u0131nt\u0131lar\u0131 farkl\u0131 zaman katmanlar\u0131n\u0131n bir aradal\u0131\u011f\u0131n\u0131 g\u00f6sterir. Bu birbirinden kopuk katmanlarla beklenmedik kar\u015f\u0131la\u015fmalar yaratmak alan\u0131n karakteri olmaktad\u0131r. Ge\u00e7mi\u015fteki sur ve saray duvarlar\u0131 gibi katmanl\u0131 d\u00fc\u015fey s\u0131n\u0131rlar zamanla yok olsa da bug\u00fcn izleri okunabilmekte, yer yer kendileri g\u00f6r\u00fclebilmektedir. Bug\u00fcn ise alandaki in\u015faat bariyerleri, an\u0131t eserleri koruma bariyerleri, ye\u015fil alan\u0131 \u00e7evreleyen bariyerler gibi katmanl\u0131 bariyerle\u015fme durumu t\u00fcm dokuyla ve tarihsel katmanlarla yayan\u0131n etkile\u015fimini s\u0131n\u0131rlamaktad\u0131r. Bu yo\u011fun dokuda yer yer rastlan\u0131lan tekil bo\u015fluklar ise yine bir bariyerle giri\u015fi engellendi\u011fi gibi g\u00f6r\u00fc\u015f\u00fc de engellemi\u015ftir.
T\u00fcm kat\u0131l\u0131mc\u0131lar\u0131m\u0131z\u0131 tebrik ederiz!<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"AURA Crea \u201cK\u00fc\u00e7\u00fck Ayasofya ve \u00c7evresi Kentsel Tasar\u0131m At\u00f6lyesi\u201d yar\u0131\u015fmas\u0131nda \u00f6d\u00fcl alan proje belli oldu! AURA \u0130stanbul ve DYO Boya\u00a0partnerli\u011finde d\u00f6rd\u00fcnc\u00fcs\u00fc d\u00fczenlenen AURA Crea at\u00f6lyesi kapsam\u0131nda; \u0130stanbul\u2019da yer alan K\u00fc\u00e7\u00fck […]<\/p>\n","protected":false},"author":10,"featured_media":13104,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"none","_seopress_titles_title":"AURA Crea \u201cMu\u011fla-Ya\u011fc\u0131lar Han\u0131 ve \u00c7evresi Kentsel Tasar\u0131m At\u00f6lyesi\u201d Sonu\u00e7lar\u0131 Belli Oldu! | AURA \u0130stanbul","_seopress_titles_desc":"AURA \u0130stanbul sertifika program\u0131na dahil olan gen\u00e7 mimar ve tasar\u0131mc\u0131lar al\u0131\u015f\u0131k olduklar\u0131 \u00f6l\u00e7ek ve tasarlama s\u00fcre\u00e7lerinin s\u0131n\u0131rlar\u0131n\u0131 a\u015farak; gruplar halinde tasar\u0131mlar\u0131n\u0131 \u00fcreterek DYO \u00fcr\u00fcnlerini\u00a0yarat\u0131c\u0131l\u0131klar\u0131 ile birle\u015ftirdi.","_seopress_robots_index":"","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[204,191,75,128],"tags":[268,404,304,802,407,408,107,405,403],"class_list":["post-11895","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aura-crea","category-blog","category-etkinlik","category-sertifika-programi","tag-aura-crea","tag-design","tag-juri","tag-kucuk-ayasofya","tag-odul","tag-proje-sunumlari","tag-tasarim","tag-tasarim-yarismasi","tag-workshop"],"acf":[],"_links":{"self":[{"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/posts\/11895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/comments?post=11895"}],"version-history":[{"count":8,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/posts\/11895\/revisions"}],"predecessor-version":[{"id":13106,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/posts\/11895\/revisions\/13106"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/media\/13104"}],"wp:attachment":[{"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/media?parent=11895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/categories?post=11895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aura-istanbul.com\/index.php\/wp-json\/wp\/v2\/tags?post=11895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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