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AURA \u0130stanbul’un G\u00fcz’24 d\u00f6nemi Ara\u015ft\u0131rma Tabanl\u0131 Tasar\u0131m St\u00fcdyosu y\u00fcr\u00fct\u00fcc\u00fcleri Asl\u0131han Demirta\u015f ve Bilge Bal, “D\u00fcnya yanarken” ba\u015fl\u0131kl\u0131 konu\u015fma ile Cumartesi Auras\u0131’na konuk oluyor!<\/p>\n\n\n\n
2017 y\u0131l\u0131ndan bug\u00fcne herkesin kat\u0131l\u0131m\u0131na a\u00e7\u0131k ve \u00fccretsiz olarak d\u00fczenlenen, Cumartesi Auras\u0131 disiplinler aras\u0131 konferans dizisi, 2024 G\u00fcz D\u00f6neminde AURA \u0130stanbul\u2019un Be\u015fikta\u015f\u2019ta yer alan merkezinde y\u00fcz y\u00fcze olarak devam ediyor\u2026<\/p>\n\n\n\n
Serinin 9 Kas\u0131m 15.00<\/strong> tarihli konferans\u0131na, mimar Asl\u0131han Demirta\u015f <\/strong>ve Bilge Bal<\/strong>, “D\u00fcnya Yanarken” ba\u015fl\u0131kl\u0131 konu\u015fmas\u0131yla konuk oluyor.<\/p>\n\n\n\n Stoneline<\/strong><\/a> deste\u011fiyle,Kahve D\u00fcnyas\u0131<\/strong><\/a> ikramlar\u0131yla d\u00fczenlenen etkinli\u011fe kat\u0131l\u0131m herkese a\u00e7\u0131k ve \u00fccretsizdir. Kontenjan\u0131n s\u0131n\u0131rl\u0131 oldu\u011fu etkinlik i\u00e7in kay\u0131t gereklidir.<\/p>\n\n\n\n Asl\u0131han Demirta\u015f<\/strong> Demirta\u015f, MIT\u2019den (Massachusetts Institute of Technology) mimarl\u0131k \u00e7al\u0131\u015fmalar\u0131 \u00fczerine y\u00fcksek lisans derecesine ve Orta Do\u011fu Teknik \u00dcniversitesi\u2019nden (ODT\u00dc) mimarl\u0131k lisans derecesine sahiptir. Doha, Katar\u2019daki \u0130slam Sanatlar\u0131 M\u00fczesi<\/a> ve Japonya\u2019daki Miho \u015eapeli<\/a> projelerinde ba\u015f tasar\u0131mc\u0131 olarak Pritzker \u00f6d\u00fcl\u00fc<\/a> sahibi I.M. Pei<\/a> ile uzun i\u015fbirli\u011finin sonras\u0131nda, \u015fu an \u0130stanbul merkezli ofisini ilk New York\u2019ta kurdu.<\/p>\n\n\n\n Yay\u0131nlar\u0131 aras\u0131nda \u201cLandscapes of Development<\/a>: The Impact of Modernization Discourses on the Physical Environment of the Eastern Mediterranean\u201d (Harvard University Press, 2013) adl\u0131 kitapta bir b\u00f6l\u00fcm; 2013 y\u0131l\u0131nda konuk edit\u00f6r olarak g\u00f6rev ald\u0131\u011f\u0131 Betonart dergisinin \u201cAltyap\u0131: Su<\/a>\u201d say\u0131s\u0131; ve \u201cAnytime<\/a>\u201d (MIT Press), \u201cIn-Transit\u201d (Verlag der Bauhaus), \u201cThresholds<\/a>\u201d (MIT) ve \u201cWORK\u201d (Parsons) kitaplar\u0131nda b\u00f6l\u00fcmler bulunur. Mimarl\u0131k prati\u011fine Arredamento Mimarl\u0131k<\/a> Dergisi 341. say\u0131s\u0131nda profil dosyas\u0131 olarak yer verildi. \u00c7al\u0131\u015fmalar\u0131 SALT, \u0130stanbul ve Ankara; Pratt Manhattan Galerisi; Aronson Galerisi; ve New York\u2019taki NTHCCC\u2019de sergilendi.<\/p>\n\n\n\n Mimarl\u0131k prati\u011finin paralelinde aralar\u0131nda Parsons at New School, Bilgi \u00dcniversitesi, Harvard Graduate School of Design, Massachusetts Institute of Technology (MIT), Bauhaus-Universit\u00e4t bulunan bir \u00e7ok okulda st\u00fcdyo ve at\u00f6lye y\u00fcr\u00fctt\u00fc, konu\u015fmalar yapt\u0131. Kadir Has \u00dcniversitesi Kent ve Mimarl\u0131k Ara\u015ft\u0131rmalar\u0131 Y\u00fcksek Lisans Program\u0131 kurucular\u0131 aras\u0131nda yer ald\u0131.<\/p>\n\n\n\n Graham Vakf\u0131 deste\u011fiyle SALT taraf\u0131ndan yay\u0131nlanacak modernin do\u011fayla ili\u015fkisini i\u015fleyen A\u015f\u0131<\/a> kitab\u0131n\u0131 haz\u0131rlamakta olan Demirta\u015f, 2022 y\u0131l\u0131nda 15. D\u00f6nem A\u011fa Han Mimarl\u0131k \u00d6d\u00fclleri teknik de\u011ferlendirme komisyonunda g\u00f6rev ald\u0131.<\/p>\n\n\n\n Tarihi Yedikule Bostanlar\u0131 Koruma Giri\u015fimi<\/a> \u00fcyesi ve ANATOPIA<\/a> kooperatifinin kurucu y\u0131ld\u0131zlar\u0131ndand\u0131r.<\/p>\n\n\n\n Bilge Bal<\/strong><\/p>\n\n\n\n \u0130stanbul\u2019da ya\u015fayan mimar-e\u011fitimci, mekansal ara\u015ft\u0131rmac\u0131.<\/p>\n\n\n\n \u0130T\u00dc Mimarl\u0131k\u2019ta lisans (B\u00f6l\u00fcm ve Fak\u00fclte 2.si), direkt\u00f6rl\u00fc\u011f\u00fcn\u00fc Prof. Dr. \u0130hsan Bilgin\u2019in yapt\u0131\u011f\u0131 \u0130stanbul Bilgi \u00dcniversitesi Mimari Tasar\u0131m\u2019da y\u00fcksek lisans (%100 Ba\u015far\u0131 Bursu, Enstit\u00fc 1.si), \u0130T\u00dc Mimari Tasar\u0131m\u2019da \u201c\u00c7izgiyi \u00c7ekmek: Mimari \u00c7izime Dair\u201d ba\u015fl\u0131kl\u0131 teziyle doktora e\u011fitimini tamamlad\u0131.<\/p>\n\n\n\n \u0130\u015fbirli\u011fi yapmaya ve disiplind\u0131\u015f\u0131 \u00e7al\u0131\u015fmalara a\u00e7\u0131k bir prati\u011fi vard\u0131r. Farkl\u0131 \u00f6l\u00e7eklerde tasar\u0131m zanaati, yapman\u0131n el ile ili\u015fkisi ve ara\u00e7lar\u0131 \u00fczerine d\u00fc\u015f\u00fcn\u00fcr, yaparak tasarlar. Bireysel ve kolektif mimarl\u0131k ara\u015ft\u0131rmalar\u0131 ve ba\u011flant\u0131l\u0131 \u00fcretimleri, analog, daha yava\u015f yapma pratikleriyle dayan\u0131\u015fma i\u00e7indedir. Y\u00fcr\u00fcmeyi, \u00e7izmeyi, yazmay\u0131 ve \u00f6teki bedenli yapma bi\u00e7imlerini d\u00fcnyaya a\u00e7\u0131lma h\u00e2lleri; \u015feylerle yak\u0131nla\u015fman\u0131n performatif ve \u015fiddetsiz y\u00f6ntemleri olarak ke\u015ffeder. Bu y\u00f6ntemler \u00fczerinden kolektif ve ele\u015ftirel s\u00fcre\u00e7ler \u00f6rg\u00fctler, birlikte d\u00fc\u015f\u00fcnmeye davet eder. \u0130\u015fleri, etik ve onar\u0131c\u0131 bir dizi \u015fiirsel ve yarat\u0131c\u0131 deney, deneme ve deneyimden olu\u015fur. Bu pratikler i\u00e7inde, \u00e7izime yo\u011funla\u015f\u0131r.<\/p>\n\n\n\n 2012\u2019den beri tam-zamanl\u0131 fak\u00fclte \u00fcyesi ve misafir \u00f6\u011fretim g\u00f6revlisi olarak ara\u015ft\u0131rmas\u0131n\u0131 kolektif deneyime a\u00e7an ve zeminini geni\u015fleten st\u00fcdyolar kurguluyor, ba\u015fka dersler y\u00fcr\u00fct\u00fcyor. A\u00e7\u0131k konu\u015fma ve at\u00f6lye serileri tasarl\u0131yor, g\u00f6\u00e7ebe sergiler \u00f6rg\u00fctl\u00fcyor. Ara\u015ft\u0131rmas\u0131na dair \u00e7e\u015fitli dergi dosyas\u0131 edit\u00f6rl\u00fckleri, j\u00fcri \u00fcyelikleri, davetli sunu\u015flar\u0131 ve at\u00f6lyeleri y\u00fcr\u00fct\u00fcc\u00fcl\u00fckleri bulunuyor. 2007\u2019den beri Assos kaz\u0131 ekibi \u00fcyesi ve arkeolojik kaz\u0131 \u00e7al\u0131\u015fmalar\u0131na kat\u0131l\u0131yor. 2021 y\u0131l\u0131nda k\u0131rk ya\u015f alt\u0131 gen\u00e7 yarat\u0131c\u0131lardan biri olarak mimarl\u0131k pratiklerinin \u00e7e\u015fitlili\u011fini kutlayan GEMMS<\/a> \/ Gen\u00e7 Mimarl\u0131k Se\u00e7kisi ve Sergisi\u2019nde yer ald\u0131. Muhafaza\/Mimarl\u0131k<\/a> (\u0130leti\u015fim Yay\u0131nlar\u0131, 2019), K\u0131tan\u0131n Ba\u015fkentleri: Paris, Berlin<\/a> (\u0130hsan Bilgin\u2019le, \u0130stanbul Bilgi \u00dcniversitesi Yay\u0131nlar\u0131, 2016) kitaplar\u0131n\u0131n edit\u00f6rl\u00fc\u011f\u00fcn\u00fc yapt\u0131. Arzu Mimarl\u0131\u011f\u0131: Mimarl\u0131\u011f\u0131 D\u00fc\u015f\u00fcnmek ve D\u00fc\u015flemek<\/a> (\u0130leti\u015fim Yay\u0131nlar\u0131, 2012) derlemesindeki yazarlardan biri oldu. K\u0131raathane: \u0130stanbul Edebiyat Evi\u2019nde, ba\u015fka mimarl\u0131klar \u00fczerine Italo Calvino 100+1 Ya\u015f\u0131nda!<\/a> sergisinin e\u015f k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc yapt\u0131.<\/p>\n\n\n\n 2017\u2019den beri Manifold\u2019<\/a>da yaz\u0131yor. Konumlu \u00e7izim pratiklerine duydu\u011fu merakla 2021\u2019den beri, kurucusu oldu\u011fu Dirty Drawings isimli, ba\u011f\u0131ms\u0131z bir akademik payla\u015f\u0131m ortam\u0131n\u0131n etkinliklerini tasarl\u0131yor ve k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc s\u00fcrd\u00fcr\u00fcyor. 2024 y\u0131l\u0131, AURA \u0130stanbul\u2019un Anadolu \u00fcniversitelerinde \u00f6rg\u00fctledi\u011fi Kamp\u00fcs<\/a> bulu\u015fmalar\u0131n\u0131n at\u00f6lye y\u00fcr\u00fct\u00fcc\u00fcl\u00fc\u011f\u00fcn\u00fc yap\u0131yor. \u0130stanbul\u2019da, \u00e7izginin h\u00e2llerine dair bir \u201cDrawing Center \/ \u00c7izim Merkezi\u201d ortam\u0131n\u0131 kurmak \u00fczerine \u00e7al\u0131\u015f\u0131yor.<\/p>\n\n\n\n Cumartesi Auras\u0131<\/strong><\/p>\n\n\n\n Cumartesi Auras\u0131, \u0130stanbul Mimarl\u0131k ve \u015eehircilik Ara\u015ft\u0131rmalar\u0131 Akademisi – AURA \u0130stanbul\u2019un Sertifika Program\u0131 kapsam\u0131nda, program kat\u0131l\u0131mc\u0131lar\u0131na y\u00f6nelik d\u00fczenlenen disiplinler aras\u0131 nitelikteki konferans dizisidir. Mimarl\u0131k, \u015fehircilik, sanat, edebiyat, teknoloji ve felsefe dallar\u0131nda tart\u0131\u015fma, bulu\u015fma ve fark\u0131ndal\u0131k ortam\u0131 olu\u015fturmay\u0131 hedefler.<\/p>\n\n\n\n Cumartesi Auras\u0131 etkinlik ar\u015fivini AURA \u0130stanbul Youtube kanal\u0131 \u00fczerinden izlemek i\u00e7in t\u0131klay\u0131n\u0131z<\/a>.<\/p>\n\n\n\n
Asl\u0131han Demirta\u015f, ara\u015ft\u0131rma, sanat ve ekolojiye dayal\u0131 geni\u015fletilmi\u015f bir mimarl\u0131k prati\u011fi olan Asl\u0131han Demirta\u015f Architecture, Design & Research Studio ve KHORA Office<\/a>\u2019in kurucusudur. Mimarl\u0131k prati\u011fi, i\u015fbirli\u011fine dayal\u0131, disiplinler d\u0131\u015f\u0131 ve \u00e7ok \u00f6l\u00e7ekli yap\u0131, peyzaj, yerle\u015ftirme, sergi ve ara\u015ft\u0131rma gibi \u00fcretimlerle farkl\u0131 alan ve s\u0131n\u0131rlar aras\u0131nda konumlan\u0131r.<\/p>\n\n\n\n